MY ART PHILOSOPHY....

Anyone Creating Any Type Of Art Should Try To Aim High....GOOD ART

 

Good art is positive.

Good art talks not just about problems, but offers solutions. 

Good art reaches the best of human emotions.

Good art makes you feel good - about yourself, about life, about the world.

Good art is realistic and positive.

Good art shows how we can makes things better, in a real way. 

Many people don't know how, so artists must show examples of how it could be.

Good art is peaceful and harmonious.

Good art makes you want to be a better person, it makes you want to look positively upon the world, it makes you want to make a difference in the way you live, and makes your outlook richer.

Good art teaches. It teaches truths of life, of the soul.

It teaches how we should be in an ideal world.

Art is Personal Expression, Design is About Use....


Art is about personal expression. It is about the life, the emotions, the thoughts and ideas of the artist. It matters very little what observers do, their activity is not required, only their appreciation. The practice of Art doesn’t require them. It is a necessary activity for the artist, and the artist alone.
Design, on the other hand, is about use. The designer needs someone to use (not only appreciate) what they create. Design doesn’t serve its purpose without people to use it. Design helps solve human problems. The highest accolade we can bestow on a design is not that it is beautiful, as we do in Art, but that it is well-used.
Unlike Art, Design is always contextual. It matters when a design was created because of the context of its use: what problem is it supposed to solve? And for whom? At what point in time? This is why design is so related to technology, because technology changes so quickly, so must our designs. A design that worked ten years ago might not even be worth considering today. History is littered with wonderful designs that are no longer necessary. 
The litmus test. When people enjoy Art, they say “I like that”. When people enjoy Design, they say “That works well”. This is not by accident. Good Design is something that works well.

GOOD ART....BAD ART.....THE TRUTH!


     The art of painting, one of the greatest traditions in all of human history has been under a merciless and relentless assault for the last one hundred years. I'm referring to the accumulated knowledge of over 2500 hundred years, spanning from Ancient Greece to the early Renaissance and through to the extraordinary pinnacles of artistic achievement seen in the High Renaissance, 17th century Dutch, and the great 19th century Academies of Europe and America. These traditions, just when they were at their absolute zenith, at a peak of achievement, seemingly unbeatable and unstoppable, hit the twentieth century at full stride, and then ... fell off a cliff, and smashed to pieces on the rocks below. Since World War I the contemporary visual arts as represented in Museum exhibitions, University Art Departments, and journalistic art criticism became little more than juvenile, repetitive exercises at proving to the former adult world that they could do whatever they damn well wanted ... sadly devolving ever downwards into a distorted, contrived and contorted notion of freedom of expression. Freedom of expression? Ironically, this so-called "freedom" as embodied in Modernism, rather than a form of "expression" in truth became a form of "suppression" and "oppression." Modernism as we know it, ultimately became the most oppressive and restrictive system of thought in all of art history.
      Every reasonable shred of order and any standards with which it was possible to identify, understand and to create great paintings and sculpture, was degraded ... detested ... desecrated and eviscerated. The backbone of the painters' craft, namely drawing, was thrown into the trash along with modeling, perspective, illusion, recognizable objects or elements from the real world, and with it the ability to capture, exhibit, and poetically express subjects and themes about mankind and the human condition and about man's trials on this speck of stardust called Earth ... Earth, hurtling through infinity with all of us along on board, along with everything we know and everything we hold dear.  Reason ... philosophy ... religion ... literature ... fantasy ... dreams, and all of the feelings, emotions and pathos of our every day lives ... all of it was no longer worthy of the painter's craft. Any hint by the artist at trying to portray such things was branded as banal, maudlin, photographic, illustration, or petty sentimentality.

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